{"id":7764,"date":"2025-07-17T09:47:47","date_gmt":"2025-07-17T07:47:47","guid":{"rendered":"https:\/\/institutfrancais.me\/?p=7764"},"modified":"2026-03-05T09:21:41","modified_gmt":"2026-03-05T08:21:41","slug":"ti-si-moja-sestra-soeur-cie-in-vitro-turneja-intimnosti-i-pomirenja-kroz-jugoistocnu-evropu","status":"publish","type":"post","link":"https:\/\/institutfrancais.me\/fr\/ti-si-moja-sestra-soeur-cie-in-vitro-turneja-intimnosti-i-pomirenja-kroz-jugoistocnu-evropu\/","title":{"rendered":"You\u2019re my sister, S\u0153ur \u2014 Une tourn\u00e9e de l\u2019intime et de la r\u00e9conciliation en Europe du Sud-Est"},"content":{"rendered":"<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"400\" src=\"https:\/\/institutfrancais.me\/wp-content\/uploads\/2025\/07\/you-are-my-sister-soeur-cie-in-vitro_marine-mane-theatre-danse-04-1-720x400-1.jpg\" alt=\"\" class=\"wp-image-7765\" srcset=\"https:\/\/institutfrancais.me\/wp-content\/uploads\/2025\/07\/you-are-my-sister-soeur-cie-in-vitro_marine-mane-theatre-danse-04-1-720x400-1.jpg 720w, https:\/\/institutfrancais.me\/wp-content\/uploads\/2025\/07\/you-are-my-sister-soeur-cie-in-vitro_marine-mane-theatre-danse-04-1-720x400-1-300x167.jpg 300w, https:\/\/institutfrancais.me\/wp-content\/uploads\/2025\/07\/you-are-my-sister-soeur-cie-in-vitro_marine-mane-theatre-danse-04-1-720x400-1-18x10.jpg 18w, https:\/\/institutfrancais.me\/wp-content\/uploads\/2025\/07\/you-are-my-sister-soeur-cie-in-vitro_marine-mane-theatre-danse-04-1-720x400-1-624x347.jpg 624w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<p>Ovog ljeta i jeseni, francuska umjetnica Marin Man (Marine Mane) i njeni saradnici donose predstavu&nbsp;You\u2019re my sister, S\u0153ur&nbsp;publici u Srbiji, Rumuniji, Albaniji, Crnoj Gori i Hrvatskoj, uz podr\u0161ku programa Teatroskop i Francuskog instituta.<\/p>\n\n\n\n<p>\u00c9crite pour les danseuses Sophie Billon et Cl\u00e9mence Dieny, cette pi\u00e8ce interroge la r\u00e9conciliation en tant qu\u2019acte volontaire d\u2019amour, de joie \u00e9rotique et d\u2019\u00e9galit\u00e9 radicale. Nourrie des \u00e9crits de bell hooks, Audre Lorde et Felwine Sarr, Marine Mane propose une dramaturgie sans conflit, centr\u00e9e sur le lien, la confiance et la construction d\u2019un imaginaire relationnel lib\u00e9r\u00e9 de toute domination.<\/p>\n\n\n\n<p>Le titre You\u2019re my sister, S\u0153ur incarne cette multiplicit\u00e9 : \u00ab s\u0153ur \u00bb en fran\u00e7ais, \u00ab sister \u00bb ou m\u00eame \u00ab sir \u00bb en anglais \u2013 une ouverture aux liens adelphes et \u00e0 la fluidit\u00e9 des corps et des identit\u00e9s. Sur sc\u00e8ne, les deux interpr\u00e8tes tissent un dialogue physique ininterrompu, port\u00e9 par la composition musicale de Franky Gogo et une sc\u00e9nographie lumineuse autonome et \u00e9coresponsable sign\u00e9e Lucien Valle.<\/p>\n\n\n\n<p>En parall\u00e8le des repr\u00e9sentations, plusieurs ateliers sont organis\u00e9s en collaboration avec des partenaires locaux tels que FEP, Pokretnica et le Festival Periskop \u2013 prolongeant les th\u00e9matiques du spectacle \u00e0 travers des \u00e9changes pratiques et sensibles.<\/p>\n\n\n\n<p>Une tourn\u00e9e qui fait de l\u2019amour une pratique de libert\u00e9, dans\u00e9e et partag\u00e9e.<\/p>\n\n\n\n<p>Cette tourn\u00e9e est soutenue par l\u2019Institut fran\u00e7ais via le programme La Collection et Teatroskop Grants 2025.<\/p>\n\n\n\n<p>Podr\u017eano od strane Francuskog instituta (La Collection) i grantova Teatroskopa za 2025. godinu.<\/p>\n\n\n\n<p>Cette tourn\u00e9e est soutenue par l\u2019Institut fran\u00e7ais via le programme La Collection et Teatroskop Grants 2025. \u2022 6 sept. \u2013 Repr\u00e9sentation \u00e0 Podgorica, Mont\u00e9n\u00e9gro (FIAT Festival)<\/p>","protected":false},"excerpt":{"rendered":"<p>Ovog ljeta i jeseni, francuska umjetnica Marin Man (Marine Mane) i njeni saradnici donose predstavu&nbsp;You\u2019re my sister, S\u0153ur&nbsp;publici u Srbiji, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7765,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-7764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-desavanja"],"_links":{"self":[{"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/posts\/7764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/comments?post=7764"}],"version-history":[{"count":7,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/posts\/7764\/revisions"}],"predecessor-version":[{"id":7774,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/posts\/7764\/revisions\/7774"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/media\/7765"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/media?parent=7764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/categories?post=7764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.me\/fr\/wp-json\/wp\/v2\/tags?post=7764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}